Moving image, built from stills.
My first film, "The Octopus," plays out in an imaginary fish bar — the preparation of an octopus dish, staged in a kitchen with a market-hall vibe and striking light. It begins like a photograph: storyboard, mood board, props, a key visual. From that one frame the whole space opens up — and the camera moves through it, a full 360°. With AI, the path from image to film is far more direct than in classic production.
This is the first. More are on the way.
